Moving landscape pictures



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Vacations in countryside. Silhouettes of family with dog walking on meadow at sunset. Caucasian woman looking at the view from train window. Turnpike at dusk in the flint hills of Kansas. Iceland landscape photo of brave girl who proudly standing with his arms raised in front of water wall of mighty waterfall.

Content:
  • The Moving Pictures of “Loving Vincent”
  • Moving landscape
  • Landscape photography
  • 11 Tips to Help You Capture Stunning Landscape Photographs
  • Greenway Cyclists’ Visual Perception and Landscape Imagery Assessment
  • Wildlife In The Landscape
  • 10 Must-Know Composition Tips To Improve Your iPhone Landscape Photos
  • Lake landscape
  • Moving Pictures
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The Moving Pictures of “Loving Vincent”

Letting yourself go and neglect every possible rule you ever learned in photography can give surprising results like thinking out of the box.

And why not try this in landscape photography? To my knowledge, landscape photographers always strive for the highest possible sharpness in their photos. They do this by using the focal distance or even by focus stacking combining different images with a different focus distance , cameras or lenses with in-body stabilisation, tripods, wire release, remote controls, folded mirror, etc.

And surely a photo out of focus may not be appreciated by the viewer. But introducing intended blur in your picture opens a new door to creative pictures. The conscious use of blur and certainly motion blur can produce very creative and surprising results. Motion blur can be used in various ways This can be done by photographing moving objects in the landscape with slow shutter speed, for example, vehicles, people or animals moving through the image.

Also moving clouds, water, leaves, and crops are part of this technique. I will write a specific blog on long exposure landscapes in the near future. The extent to which the object, person or animal fades can contribute to the mystical atmosphere of the image. On the other hand, with a static subject, you can also move the camera itself while the photo is being taken. So, move the device up or down while the shutter button is pressed or move from left to right or vice versa.

In all these cases we speak about intentional camera movement ICM as opposed to unwanted camera movement. Another creative idea is to combine two images of the same scene. One completely blurred and one without blur. With the help of masks in photoshop, you reveal a sharp tree, branch, shrub or flower. Panning moving the camera horizontally with moving objects or animals gives sometimes very interesting images while the background will blur and there is some sharpness in the object or animal you followed.

If you want the lines or stripes to be straight, do this on a tripod. If you do it handhold it can add a natural swing. A third possibility is to manually hold the camera with slow shutter speed. So that a kind of artistic blur is captured in the image by the vibration of the camera. Probably you already did this by accident when your camera was set with longer exposure time. The first reaction of most of us is to delete such photos as fast as possible.

Sometimes you could get lucky and end up with a photo that gives the dreamy impression of being painted. Most of the above-mentioned techniques are based on the movement of the camera or lens. With this kind of creative landscape, it is often a matter of trial and error to get a satisfactory effect. Of course, these techniques can also be combined with, for example, black and white conversions to end up with more abstract pictures.

See my blog on abstract and minimal photography. You can also be creative by looking for striking details, lines, forms or patterns in objects or in nature. Graphic lines in nature can help to produce a balanced and enchanting picture. By focussing on specific details, you can invite the spectator to guess what he is seeing and he might see something different from what you saw.

High key photography is maybe less used in landscape photography itself but it is regularly used in nature and macro photography. High key imagery focuses on the majority of your image pixels in the highlight range of your histogram. In your histogram, you would completely expose to the right.

You can add light up to 1,2 or even 3 stops with the exposure compensation. This might need some experimenting with trial and error because of course, we cannot overexpose completely our entire picture, we still need some hints of contrast even in the brightest parts.

This technique can make your colours very light and fresh. This style was used intensively in portraiture but nowadays there are several good nature photographers using this technique for butterflies and delicate flowers etc. This gives a soft, ethereal and surreal feeling to the image. Bright, white backgrounds like snow or a flat cloudy sky will help to obtain high key exposures as do low contrast lighting conditions like cloudy, foggy, flat-light days. With back-lit subjects, you can overexpose the background and fill in the subject with fill-flash or reflected light or a torch.

In this case, spot or center-weighted metering of the subject will help you to find a good exposure of the subject but with a blown-out background. The use of the Live-view feature of your camera can come in handy at times as you can see your exposure and lighting effect before you press the shutter. Low key photography is, of course, the complete opposite of high key. With this technique, you will try to underexpose as much as possible, even several stops. This results in darker and very dramatic looking pictures, maybe even a bit mysterious.

So, you utilize predominantly dark tones but you do not want to just produce a dark image. You want to use the lighting very selectively so that only specific portions of the image are illuminated. Even in the darkest parts you still want to find some finer details. The contrast makes you look at those parts of the picture that are illuminated.

This technique is also used to produce silhouettes. This is not the end of creative possibilities. In the near future, I will publish a blog specifically dedicated to the creative use of colour in landscape photography. So, stay tuned on my website. As always, I would like to invite you to leave a comment here below and tell me about your creative projects. Your email address will not be published. All photographs and text appearing in this site and blogs are the exclusive property of Guy Lambrechts Photography the Landscape Photo Guy and are protected under international copyright treaties.

The photographs may not be copied, reproduced, redistributed, manipulated, projected, used or altered in any way without the prior express written permission of Guy Lambrechts.

Sharp, sharper, sharpest To my knowledge, landscape photographers always strive for the highest possible sharpness in their photos. The use of blur in landscape photography The conscious use of blur and certainly motion blur can produce very creative and surprising results. London City movement, Guy , long exposure blur Camera movement On the other hand, with a static subject, you can also move the camera itself while the photo is being taken.

The forest through the trees, Guy vertical camera movement Another creative idea is to combine two images of the same scene. Panning Panning moving the camera horizontally with moving objects or animals gives sometimes very interesting images while the background will blur and there is some sharpness in the object or animal you followed.

Morning grey, Guy handheld horizontal camera movement, panning Handheld blur A third possibility is to manually hold the camera with slow shutter speed.

Trial and error Most of the above-mentioned techniques are based on the movement of the camera or lens. See my blog on abstract and minimal photography Use of lines and patterns You can also be creative by looking for striking details, lines, forms or patterns in objects or in nature.

After the harvest, Guy, lines and patterns High key landscape photography High key photography is maybe less used in landscape photography itself but it is regularly used in nature and macro photography.

Snowy fields, Guy, , high key landscape Low key landscape photography Low key photography is, of course, the complete opposite of high key. Creative with colour? Share On Facebook Tweet It. Combining my desire to travel, being in nature and love for photography, I visit known and unknown destinations around our beautiful planet.

I feel happy while out camping, hiking or simply strolling along my neighbourhood with my camera and gear at hand. I am inspired by the light, shapes and lines in the quiet beauty of the landscape or the complex cityscapes.

Through my photographs, I like to convey serenity, elegance, mood, calmness and beauty. Rolling landscapes, desolate beaches, splashing streams, waterfalls, impressive trees and nature are therefore my favourite subjects. Leave a reply Leave a Reply Cancel reply Your email address will not be published.


Moving landscape

There are so many different landscape photography categories. You might think landscape photography is beautiful landscapes, seascapes or mountains. But landscape photography is so much more. You can specialize in a given landscape photography category and get really good at one or more of them. A few categories within landscape photography are so specialized that some photographers will call them a photography genre on its own.

I'm sure I won't be the only one to pick this nit, but you are all wrong to suggest that the famous photograph of the Iwo Jima flag raising was ".

Landscape photography

The minute animated feature consists entirely of oil paintings stylized after — and sometimes directly copying — the works of Vincent van Gogh. The labor that went into the film, seen in every dash of paint, is as difficult to imagine as the painstaking detail of ivory miniatures or Orthodox religious icons. In this almost masochistically extended effort, each second represents days of labor on the part of a team of more than one hundred classically trained painters who put together a total of 65, oil frames. It is also, itself, an extended, obsessive love letter to two different addressees. One of these addressees, more obvious to a Western audience, is the titular Vincent, whose impasto technique and actual works the film meticulously imitates. The second, less directly named but no less delightful, is the extended tradition of Eastern European animation, to whose expressionistic roots the film reaches back relentlessly. On the one hand, it gestures toward the affection flawed and distorted by envy and prejudice as it occasionally is that the many people represented have for van Gogh.

11 Tips to Help You Capture Stunning Landscape Photographs

More than , products make your work easier. More than k products. Minivan with bike on top moving in mountain. Flat may day labor moving bricks daily poster illustration.

The natural world provides plenty of inspiration for photographers, which is why landscape photography is such a popular genre.

Greenway Cyclists’ Visual Perception and Landscape Imagery Assessment

Where and When to Shoot. To use Starry Landscape Stacker, you must first take some pictures. I like subjects with large obvious shapes in the ground. I try to plan to shoot on nights with at least some moonlight on the foreground. Clouds are a problem because they typically move quite quickly.

Wildlife In The Landscape

We are surrounded by beautiful landscapes and vistas, representing nature at its most impressive and awe-inspiring. They're packed full of fascinating details, colours, and depth, and so it is little wonder that they are one of the most popular photography subjects. Sadly, it can sometimes be difficult to translate a great landscape into a stunning photograph. Too often we are left with a shot which is flat, lacks interest, and doesn't do the original scene justice at all. The key to great landscape photography is choosing a time of day which will enhance the scene's natural beauty. When you combine this with a viewpoint and composition which convey depth and grandeur, you've got a recipe for a truly breathtaking photo. We are surrounded by opportunities for great landscape photos, from rolling meadows to imposing mountains to arid desert scenes.

Here's a trick you can try when you need steps but do not have an image of steps to work with. The technique uses a wall image with a.

10 Must-Know Composition Tips To Improve Your iPhone Landscape Photos

I travel far and wide to bring you stunning NZ landscape photography from locations around the country. As a NZ landscape photographer , patience is key to finding the right moment to capture an image - sometimes I have to visit a location multiple times to get 'the shot' and other times I just turn up at the right time. And if you ask me why do I take photos at all? Ultimately I capture images to be able to share my great love of New Zealand with you, and to inspire you to travel and pick up your camera too!

Lake landscape

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Now that phone cameras have essentially caught up in terms of photo quality with their DSLR counterparts, shooting landscape photography on the go is no longer just the realm of professional photographers. With powerful phone cameras at our disposal, capturing once-in-a-lifetime moments has never been easier. No need to lug around a heavy DSLR to capture beautiful, complex images in nature when your phone camera is significantly more compact and just as powerful. But with all this creative potential at our fingertips, why is it that landscape pictures taken on mobile rarely convey even a fraction of the awe or splendor of the original experience? Despite the incredible technology available to us today, capturing beautiful landscape shots still requires a dose of the unquantifiable - an eye for photographic composition and visual storytelling.

Learn to plan, take, and edit better scenery pictures on your trips.

Moving Pictures

After taking a picture, you might look back on it and wish you captured it in a different orientation. Luckily, with the help of Photoshop, you can quickly change a photo from portrait to landscape and vice versa. The easiest way to change a photo from a portrait to landscape orientation is by cropping the image. With your image open in Photoshop, select the Crop Tool by pressing C, then click on your image to activate the crop adjustment. You can then press X to switch your crop orientation from vertical to horizontal and vice versa. Click and drag to reposition the framing, and your photo will be changed to a new orientation.

Are you looking for a way to add a little pizzazz to landscape photos and bring them to life? The simple Photoshop technique in the video below will add a 3D-like effect with motion to your images. The result is great for both sharing standalone images and embedding them in a video.


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